| Stardust | |
|---|---|
First UK edition cover |
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| Author(s) | Neil Gaiman |
| Illustrator | Charles Vess |
| Country | United Kingdom |
| Language | English |
| Genre(s) | Fantasy |
| Publisher | Avon Books |
| Publication date | 1 February 1999 |
| Media type | Hardback, Paperback, Audiobook (Read by the author) |
| Pages | 256 pp |
| ISBN | ISBN 978-0-380-97728-4 |
Stardust (1998) is the first solo prose novel by Neil Gaiman. It is usually published as a novel with illustrations by Charles Vess. Stardust has a different tone and style from most of Gaiman's prose fiction, being consciously written in the tradition of pre-Tolkien English fantasy, following in the footsteps of authors such as Lord Dunsany and Hope Mirrlees. It is concerned with the adventures of a young man from the village of Wall, which borders the magical land of Faerie.
In 2007, a film based on the book was released to generally positive reviews.[1] Gaiman has also occasionally made references to writing a sequel, or at least another book concerning the village of Wall.[2]
The story begins in late April 1839, as John William Draper had just photographed the Moon and Charles Dickens was serializing Oliver Twist. The majority of the book takes place seventeen years later, starting around October 1856.
Contents |
The Faerie Market is held every nine years on the other side of the wall dividing Faerie from our world and for which the nearby town of Wall is named. As the book begins, the market has just begun and the town filled with visitors and vendors. Dunstan Thorn rents out his cottage to a stranger in exchange for his "Heart's Desire" in addition to a monetary payment. The next day in the market, he meets Una, a princess imprisoned by the witch called Semele. He purchases a glass snowdrop from her with a kiss, and gives the flower to his fiancée Daisy. That night, Dunstan meets Una in the woods and makes love to her. A month later, Dunstan marries Daisy. In February, he receives a baby in a basket—his and Una's son, Tristran Thorn.
Eighteen years later, Tristran seeks the love of Victoria Forester, the town beauty. One night, while Tristran is walking her home from the shop where he works, she sees a shooting star land in Faerie, and he vows to bring it to her in exchange for a kiss, and perhaps her hand in marriage. Thinking that he will never actually do it, Victoria promises to do whatever he asks if he brings her the star. Dunstan gives Tristran the snowdrop and helps him pass the guards at the wall by alluding to his faerie heritage. Tristran enters Faerie.
At Stormhold, the King of Stormhold gathers his sons to determine who will be his heir; he hurls the Power of Stormhold, a topaz that marks its bearer as the ruler of the land, into the sky, knocking that selfsame star from the sky. He then dies, and his sons leave together. Septimus departs on his own after poisoning Tertius at a nearby inn.
In a small, grey house in the woods, three ancient and mighty witches known as the Lillim learn of the fallen star by reading the entrails of a dead stoat, and the eldest of the Lilim consumes their last reserves of "years," later revealed to be the heart of another fallen star, to become young again. She meets a farm boy, Brevis, at a crossroads, takes his goat, and transforms him into a second goat, using the two animals to pull her small chariot.
Tristran meets a small hairy man who helps him through the woods. After Tristran helps them escape deadly trees called serewood, he learns he has the ability to find any location in Faerie. Tristran is taunted by tiny faeries, who say that he is "soon to face his true love's scorn". The hairy man gives Tristran a new outfit, a silver chain like the one used to imprison Una, and a candle-stub which allows one to travel great distances quickly while it burns, which he explains by referencing the nursery rhyme "How Many Miles to Babylon?".
Tristran uses the candle to quickly reach the fallen star, but is surprised to find that the star is actually a young woman named Yvaine, whose leg was broken in the fall. Yvaine hurls mud at him and continuously insults him. He resolves to bring her to Victoria anyway, tying her to him with the chain. However, the candle goes out before he can return, so the two sleep for the night.
The next morning, Tristran tells Yvaine about his promise to Victoria and his intention to bring Yvaine to her. Tristran makes Yvaine a simple crutch to help her walk as her broken leg hinders her movement. They arrive at a clearing where they witness a fight between a lion and a unicorn over a golden crown. Yvaine asks Tristran to help the Unicorn when the Lion was about to kill it. Tristran, remembering the old nursery rhyme, The Lion and the Unicorn, picks up the crown and gives it to the Lion. With the crown upon its head, the Lion slips away into the forest. Tristran and Yvaine spend the night at the clearing beside the wounded Unicorn. Yvaine escapes when Tristran leaves in search of food.
The witch-queen, on her search for the Star, encounters Madam Semele. They share a meal and Madam Semele gives witch-queen meat cooked with Limbus grass, which causes anyone who tastes it to speak nothing but the truth, forcing the witch-queen to reveal the true purpose of her journey. The enraged witch-queen puts a curse on her, which prevents her from seeing, touching or perceiving the star in any way and causing Semele to forget their meeting the moment the witch-queen leaves.
On discovering that Yvaine is gone, a despondent and regretful Tristran spends the night under a tree. Tristran talks to a tree who says that Pan, the spirit of the forest, told her to help him. The tree tells Tristran that there are people looking for Yvaine and that there is a path in the forest with a carriage coming down it that Tristran can't miss. Then it gives Tristran a leaf and says to listen to it when he needs help the most. Tristran run to catch the carriage and nearly misses it but for a tree that has fallen in the carriage's path. Tristran meets Primus, the driver of the carriage, and persuades him to allow Tristran to ride in the carriage.
In the mountains the witch-queen makes an inn to catch Yvaine who is coming her way. She turns the goat into a man, and the goat who used to be Brevis into a girl. Yvaine falls for the trap, and the witch-queen is preparing to carve out her heart when Tristran and Primus, who have also been attracted by the inn, arrive. The witch-queen decides to delay killing Yvaine until she had dealt with the two unwanted guests. She attempts to poison Tristran while he is tending to the horses, but the unicorn, which is also lodged in the stable, warns him just in time. He rushes back to the inn, but is too late to warn Primus. However he is able to rescue Yvaine by forming a makeshift candle from the remnants of the magical candle he had obtained earlier, burning his left hand in the process. Shortly afterwards, Septimus arrives and finds Primus' body. He sets off in search of the witch-queen, in order to fulfill an obligation to avenge his slain brother, and the topaz, in order to claim his birthright as the last surviving son of Stormhold.
Tristran and Yvaine escape the witch-queen, but find themselves in an almost equally perilous situation. They walk past many scenes in the light of the candle, but eventually end up stranded on a cloud, miles above Faerie. Fortunately, they are rescued by the crew of a passing airborn ship. The captain of the ship agrees to help them on their way back to Wall, hinting that he is part of a mysterious 'fellowship' that wants to help Tristran for some unspecified reason. Tristran expresses regret for chaining Yvaine up. The star reveals that while Tristran no longer intends to force her to accompany her to Wall, the custom of her people dictates that, because he saved her life, she is nonetheless obliged to follow him.
Upon parting company with the ship and its crew, Tristran and Yvaine encounter Madam Semele. Due to the curse the witch-queen put on her, Madam Semele is unable to see Yvaine, but agrees to transport Tristran the rest of the way to Wall, as she is going there to attend the market herself. Tristran obtains a promise from Madam Semele that he will not be harmed, will receive board and lodging, and will arrive at wall in the same manner and condition as he was on departure. However this promise does not prevent Madam Semele from transforming him into a dormouse for the duration of the journey. The star also rides on Madam Semele's wagon, unbeknownst to the old woman.
Septimus seeks revenge on the witch-queen for killing Primus, but is himself killed by the witch-queen, without ever reclaiming the topaz. Tristran (now returned to his human form), Yvaine, Madam Semele and the witch-queen all arrive at the Wall market.
Tristran leaves Yvaine and crosses back into Wall, to tell Victoria that he has returned with the star. Meanwhile, Yvaine realises that she has fallen in love with Tristran and, if he fulfills his promise to bring her to Victoria, she will not only lose him to another woman, but upon leaving Faerie, will be transformed into a piece of rock.
Upon meeting Tristran, a dismayed Victoria reveals that she is already engaged to Monday, Tristran's old employer, and that she never believed that Tristran would fulfill his promise. She regretfully tells Tristran that she will keep her promise and marry him. However Tristran, not wishing to force Victoria to marry him points out that her promise wasn't to marry him, it was to give him anything he desired, and that he desires that she marry her love, Monday.
Tristran returns to Yvaine at the fair. Yvaine is delighted to learn that Victoria is to be married to Monday, not Tristran, and Tristran reveals that he reciprocates Yvaine's love for him.
Una informs Madam Semele that she (Una) will soon be free, as her enslavement is due to end when the moon loses her child (Yvaine), if it happens in a week when two Mondays come together (the marriage of Victoria and Monday). The silver chain that binds Una finally fades away, and she demands payment for her services, which Madam Semele must give on pain of losing her powers.
Una seeks out Tristran and Yvaine and reveals that she is Lady Una, the only daughter of the Eighty-First Lord of Stormhold, and that Tristran is her son, making him the last male heir of Stormhold. She instructs Tristran to ask Yvaine for the topaz she carries. Upon receiving the topaz, the power of Stormhold passes to Tristran. However he declines to immediately return to Stormhold, leaving Lady Una to reign in his stead while he and Yvaine travel around Faerie. But before Yvainne and Tristran set off on their journey, an impossibly aged old hag turns up wishing to speak to Yvaine. She reveals herself as the witch-queen, now more ancient and withered than she has ever been. Yvaine no longer fears her and tells her the good news that she has given her heart to Tristran. The witch-queen claims she'd have done better to give it to the Lilim, as Tristran will only break it like all men do. She then leaves for good, fearful of the cruelty her sisters will inflict upon her for failing.
Many years later, Tristran and Yvaine finally return to Stormhold, and Tristran assumes his duties as the Lord of Stormhold. When he eventually grows old and dies, Yvaine continues to reign as the immortal ruler of Stormhold.
Stardust was originally conceived by Gaiman and Vess as a "story book with pictures," created by both, to be published by DC Comics. During an interview to be included in the audio book Neil Gaiman explained how, one day while driving he had seen a wall on the side of the road and had conceived the idea of Faerie being behind the wall, this sparked an idea in his head about an American novelist who moved to England where he would find out about this wall, this book was to be called, very simply, Wall. Soon after he was nominated for a literary award which he won, at a celebratory party he saw a shooting star and immediately came up with the idea of Stardust. He dragged Vess out of a party that he was at and outlined the plot to him, Vess agreed to do the illustrations. Initially it was released in 1997 in what is known in the medium of comics as a prestige format four-issue mini-series. This means it came out once a month in a square-bound high-gloss comic, with high grade paper, high quality color and no advertisements.
Gaiman and Vess originally intended the story to be released complete, as a single book, which would better reproduce the painted illustrations of Vess and be a "story book" for all ages, and a release in this format was made in 1998. There was both a hardback (ISBN 1-56389-431-9) and a trade paperback edition (ISBN 1-56389-470-X). It is more accurately titled Neil Gaiman and Charles Vess' Stardust (Being A Romance Within The Realm of Faerie). The hardback edition is quarter-bound in faux leather with the author's names, title and several stars inlaid in foil. It also has reproductions of the comic book covers and many sketches by Vess. The trade paperback has a very different cover design and illustrations by Vess, and has subsequently been reprinted with another different cover design.
Gaiman retains the copyright to the text and in 1999 decided, encouraged by publisher Avon, to publish Stardust as a conventional novel in hardback without illustrations. There was also a subsequent UK hardcover edition, from Hodder Headline. The book also proved popular with readers of the "romance" genre, although it is generally considered part of the fantasy genre. Thus the paperback publication was originally given three different covers which when placed side by side had one background image and a different primary image including a handsome man holding a woman in a passionate embrace, although this cover concept was never used.
In 1999, Charles Vess' Green Man Press produced a portfolio as a benefit for Charles Vess' wife Karen, injured in a car accident, titled A Fall of Stardust, which contained two chapbooks and a series of art plates. The first chapbook, written by Gaiman, comprised "Wall: A Prologue" short story, "Septimus' Triolet" poem, "Song Of The Little Hairy Man", and "The Old Warlock's Reverie: A Pantoum" poem. The second chapbook was a short story entitled The Duke of Wellington Misplaces His Horse by Susanna Clarke. Art plates were illustrated by William Stout, Mike Mignola, Terri Windling, Bryan Talbot, Jill Thompson, Paul Chadwick, P. Craig Russell, Mark Crilley, Elizabeth Johns, Michael Zulli, Robin Mullins, Lisa Snellings, Terry Moore, Tony DiTerlizzi, Linda Medley, Lorenzo Mattotti, Zander Cannon, Dave McKean, Jeff Smith, Trina Robbins & Steve Leialoha, Gary Gianni, Janine Johnston, Stan Sakai, Michael Kaluta, Moebius, Rebecca Guay, Geoff Darrow, Brian Froud and Charles Vess. Several plates were colored by Eric Olive. Todd Klein worked with Charles Vess to create the unique logo. Those who order this collection directly from Green Man Press received an additional art plate by Sergio Aragones.[3]
In July 2007, a new hardcover edition was published by Vertigo containing approximately fifty pages of new material, including new artwork and information on the production of the book.
Towards the end of the novel, it is mentioned that Tristran was rumoured to have been instrumental in breaking the power of the Unseelie Court.[4] In Scottish folklore, faeries are often divided into the Seelie and Unseelie Courts, the Seelie being the faeries benevolently inclined towards humans and the Unseelie being the malevolent or mischievous faeries.[5]
The original DC comic series was a top vote-getter for the Comics Buyer's Guide Fan Awards for Favorite Limited Series for 1998 and 1999. The collected edition of the series was a top vote-getter for the Comics Buyer's Guide Fan Award for Favorite Reprint Graphic Album for 1999.
In 1999, the Mythopoeic Society awarded Neil Gaiman and Charles Vess the Mythopoeic Fantasy Award for Adult Literature for Stardust. The novel was nominated for the Locus Award that same year.[6]
In 2000, it received the Alex Award from the American Library Association, which called it one of the "top ten books written for adults that have special appeal to young adults".
Meredith Collins has written about the use of Victorian imagery and motifs to establish Stardust in a particularly Victorian tradition of fairy tales. She comments both on Gaiman's usage of particular Victorian tropes, most obviously the explicit reference to Queen Victoria in the novel's beginning, as well as Vess's clear echoing of visual tropes of Arthur Rackham and Walter Crane, including one image that is strikingly similar to one of Rackham's illustrations for The Wind in the Willows. On the other hand, she sees also in Stardust clear references and structures of the comics tradition in which it was first published, leading her to view the work as a hybrid between the Victorian fairy tale tradition and the more contemporary comics tradition with which Gaiman is more often associated.[7]